Wild motion
Yesterday I had my final two classes for the year at the gym, which went well, as I was full of energy and determination. I've now been doing them both — power pump (basically lifting weights to music) followed by zumba (the cheesiest dances you can imagine, to the cheesiest music you can imagine; now that it's the lead-up to Christmas the trainer has added her warm-up routine set to a medley of Christmas songs that includes — I kid you not — an EDM-rap remix of 'The Little Drummer Boy') — for three years. The result of this is that I'm very strong, and my endurance and ability to dance in time with music without making mistakes (which have always been reasonably good) are satisfactory, but I still dance like a gymnast. I think I'm stuck with this for life. The hips don't lie, and in spite of it being twenty-plus years since I was a gymnast, some things never leave you, and therefore my hips don't move.
I also finally accepted reality and decided that (in spite of my usual track record) I will leave my contributions to Yuletide this year to my main assignment, plus the one treat I've already written. Usually I aim for at least four fics in the main collection, but I can't say that many of this year's prompts are really calling to me, and I don't think forcing things for the sake of arbitrary personal goals is going to result in decent writing.
That has left more time for reading, although the fact that I got so obsessed with one book this week that I reread it five times in succession (and then I reread it a sixth time yesterday) meant that I've only finished one other book this week: Night Train to Odesa (Jen Stout), a British freelance journalist's memoir of her time in Ukraine during the first year of Russia's full-scale invasion, and the various ordinary people forced to do extraordinary things (in the military, as civilian volunteers, in culture and the arts, over the border in Romania helping the first wave of bewildered and traumatised refugees) that she met. It's a well-told account covering ground with which I'm already familiar from other similar memoirs — raw emotions, injustice and atrocities, people rising with ingenuity, stamina and resilience to meet the moment because the only other option would have been to lie down, surrender, and cease to exist as free people of an independent nation — but I appreciated the features that made it unique. These included Stout's background (a journalist from Shetland who spoke fluent Russian and actually spent the first month of the war on a journalism fellowship in Russia — a surreal experience), and her familiarity with Ukraine (she had spent a lot of time there before, and has a particular love for Kharkhiv city, and the frontline Donbas regions of Luhansk and Donestk, and writes about their landscapes, urban architecture and people with deep affection).
I'm also making my way — for the first time — through The Eagle of the Ninth (Rosemary Sutcliff). Sutcliff is a glaring gap in my reading, and I'm on such a Roman Britain kick that I felt now was a good time to remedy it. Her books seemed like an appropriate winter reading project (the elegiac tone, the stark, austere landscapes), and I'm enjoying this first foray immensely, and wondering why I never tried them before now! (I have a vague memory of being given one book or the other in childhood and finding the dearth of female characters offputting, and that initial impression is probably the culprit for it taking me this long to pick them up.)
( Another December talking meme response )
I hope you've all been having relaxing weekends.